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Podcast Safe Music

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Podcasting is the new thing in broadcasting nowadays. Practically anyone can create his own podcast and make himself known to the world. Perhaps the best thing about podcasting is that it is meant to be free. In addition to that, podcasts transcend the boundaries of traditional broadcasting. You may be from the US but anyone with access to the internet can listen to your podcast. A person may be in Timbuktu and yet have access to your podcast.

Music is inherent to the success of any podcast. It adds spice and flavor to an otherwise bland broadcast. That is why a large pool of resources has been developed by people in the podcasting community. Beginners and veterans a like search for the perfect background music or filler sounds for every podcast they make. So how do you go about looking for that spice?

Despite the freedom provided by podcasting, there are some issues you must address before jumping into the bandwagon and creating your own podcast. Copyright and intellectual property rights have been a main concern in all aspects of broadcasting for some time now and podcasting is not exempt from that. As a result, the term podsafe has come into existence. What exactly is podsafe? This term encompasses any material that may be used for podcasts without violating any copyright or license. A special thing about podsafe material is that the very same material might require some sort of license in other media but totally safe for podcasting. Due to the open community nature of podcasting, many songs, music, and other type of materials are allowed to be used for free exclusively for podcasts. While you might have to acquire the permission of the copyright holder for other broadcasting media, with podsafe material, you can use it freely in podcasts.

Some specific kinds of work are inherently podsafe. Works that fall under the public domain or some works with Creative Commons licenses can be used in podcasts without any issues. They are meant to be used, and used freely.

There are some entities on the web that license music especially for podcasts. Their podcast safe music is generally available to anyone for downloading and for use in free broadcasts over the internet. The only restriction they have is for the user to duly acknowledge the source. Anyone may also post music on their sites as long as the piece of work is totally original.

Some sites make their music available for no fee at all. On the other hand there are sites which promote artists particularly independent ones and charge a small fee for downloading their songs. Notably, these sites also offer labeled artists and are supposed to split the downloading fees with them.

The important thing to bear in mind when looking for podcast safe music is that most of the groups offering materials make them available to the general public for free. The caveat is that your podcast must not be used for commercial purposes. If that is the case, then you will have no problems finding the right track for your podcast.

Salsa Timing – 5 Tips To Finding The First Beat Of The Music

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One of the most challenging humps to get over for many beginning salsa dancers is to learn to recognize the first beat of the music and actually count the music properly to keep on the correct salsa timing . Yet, rhythms are often innate in us. Just like we can become aware of our heart beat, we can become to be able to recognize the salsa rhythm.

However, just like it is actually much harder to count your pulse, learning to count and understand the direction of the salsa music is much harder. But with proper guidance counting salsa timing will become easy as well. Here is how to do it.

Tip # 1 Listen To The Cow Bell To Find The Salsa Rhythm

The salsa rhythm goes quick, quick, slow, quick, quick, slow. The first step to learning timing is to make sure that you can recognize the rhythm. After you recognize the rhythm, half of your job is already done. One of the easiest ways to recognize the salsa rhythm is to try to find the cow bell in the music. The cow bell plays on the core beats of 1,3,5,7, loops over and repeats 1,3,5… and so on. Not all songs have the cow bell included, but many traditional salsa songs does and this can help you find the rhythm.

Tip # 2 Listen To The Montuno Rhythm To Find The First Beat Of The Music

In salsa there is a rhythm called Montuno that is often played with piano. If a particular salsa song is playing the montuno rhythm, recognizing it is one of the easiest ways to finding the first beat of the music. The reason for this is that unlike the cow bell, for example, the piano montuno rhythm is played over eight beats rather than just four. In other words, when you listen to the cow bell, you can find the rhythm, but you might easily mistaken the first beat of the music to be the fifth and vice versa. Piano montuno rhythm however can go something like this, 1, and, 2,3, and, 4, 6,7,8, and, 1 and so on. Obviously, this is harder to understand conceptually and it would be much better if I could actually play this salsa timing for you so that you could hear the difference. But nevertheless, this is one of the easiest ways to find the first beat to the music.

Tip # 3 Listen To The Vocals

In salsa music, like in many other types of music as well, it is often customary for the vocals to start on the first beat of the music as well. This is another concept that can help you learn to recognize the first beat of the music. So the next time you are listening to salsa songs, rather than pay attention to the instruments, if the song has a vocalist(s), pay attention when they begin and try to see how that correlates with the rhythm of the music. Chances are they start on the first beat and if so, you have found the one.

Tip # 4 If All Else Fails, Buy A Salsa Timing CD

Salsa timing CD is a great way to help you find the first beat of the music. What makes salsa timing so challenging is that there are many inter laying rhythms and not one easy beat to follow. What can be extremely helpful is to listen to a song with a voice over of someone who keeps you on count. This way, you can constantly monitor how you understand the timing and compare your counting to someone who is keeping you on track. By listening on a salsa timing cd at home you can take your time to develop your understanding and reflect how the counting reflects the rhythms.

Tip # 5 Keep At It

It is very easy to get frustrated if you don’t quite get a grasp of the rhythms and salsa timing right away. But don’t get discouraged. When I started, it took me months just to be able to hear the rhythm. I am probably one of the most ungifted children musically, yet, it has been my determination and perseverance that has made me one of the experts in salsa musicality. So keep at it and your ear will soon be able to detect even the subtlest of salsa rhythms and you will be able to recognize the first beat of them music with ease.

Of Sound Mind And Body – Does Music Therapy Work

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Music therapy assists in overcoming issues that are emotional, physical, social, and cognitive. This amazing type of theraoy also manages stress, promotes overall wellness, helps in the expression of feelings, to reduces or eliminate pain, to improves memory, promotes rehabilitation from physical problems or disorders, and to betters communication.

1. Who Can Do Music Therapy?

Music therapy is done through a music therapist. A music therapist first makes an assessment of the clients overall emotional and physical well-being. The music therapist also takes a look at the clients level of social functioning, cognitive skills, and communication abilities. After making these assessments, the musical therapist designs individual music sessions for the client. Sessions can, Of course, also include group music therapy. Music therapy options include listening to music, writing songs, discussing lyrics, performing music, and learning through music.

2. The Supporting Research

In integrated approach to music therapy has been shown to help children and adults of all ages. Music therapy helps those with developmental disabilities and learning disabilities overcome their learning obstacles. It also helps individuals with Alzheimers disease and other age-related conditions regain their memory. In addition, those who have coped with drug abuse or who have suffered from brain injuries can benefit from music therapy. People dealing with chronic or acute pain, including mothers giving birth, can also use music therapy to alleviate pain.

3. Hospitals Use Music Therapy

Music therapy is also sometimes used by hospitals to improve the mood of their patients or to counteract depression. They also use music to help encourage patients to move during physical therapy, or to calm patients that need to be sedated or who need to rest. Music therapy is also used in hospitals to decrease muscle tension and to help patients relax.

4. Schools Use Music Therapy

Schools even use music therapy to help children be more successful. For special education students, music therapy is sometimes included in the students Individualized Education Plan, or IEP. Music therapy is sometimes used to help these children improve their communication skills or to strengthen their physical coordination, that helps them be more successful in general education classes.

5. Music Soothes The Savage Beast

In fact, the concept of music therapy has its roots in ancient times, but really gained attention after World War I and World War II. At these times, community musicians visited Veterans hospitals and played for veterans who were suffering from physical and emotional trauma brought on by the wars. The patients at these hospitals showed notable improvement from the music. As a result, the doctors and nurses requested that musicians be hired to come to the hospitals.

6. The Benefits Of Music Therapy

The positive effects of music therapy have been so well recognized that many insurance companies cover it as a form of medical treatment. Medicare and Medicaid cover it, as well, so long as it is prescribed by a physician and the patient shows improvement from the music therapy.

7. No Musical Inclination Required

You don’t need to be musically talented to benefit from this therapy! Some people believe that only one type of music can be beneficial for use in music therapy. This is also untrue. In fact, all types of music can be helpful in helping a client. The type of music used depends on the clients preferences, as well as on the individual circumstances and the purpose of treatment. Also, the clients overall goals from the therapy help determine the type of music to be used in the music therapy.

8. Reduce Stress

The reduction of stress in emotionally healthy people can also be a benefit! Drumming and listening to music can help facilitate relaxation. Music can also stimulate physical excercise when doing a routine.

Is ‘Classical Music’ Dead in the Water

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On various blogs and message boards I’ve read lately I’ve encountered a lively argument on top of could you repeat that? We ought to call Classical Music. You know the kind of composition I mean: A conductor by the front, a cluster of musicians scraping, blowing, plucking and striking a variety of instruments ranging from the ‘fit your pocket’ small, to the ‘I need a dump truck to move this mother’ behemoth; all appraisal from printed scores, the largest part likely formally dressed, seldom smiling, earnest in their endeavours.

Polite applause ripples around the audience, generally initiated either by the ‘I know my stuff, so have under surveillance my go in front and praise as I do’ cognoscenti, or, more unsuccessfully, though admittedly more hilariously, by the enthusiastic ingenue who inadvertently claps linking schedule of a line quartet — “tut, tut!” Stifled guffaws and a kind of ‘there but pro the leniency of God perform I’ embarrassment wafts around the concert entry pro a instant. The cognoscenti get pleasure from their instant of schadenfreude, the Minuet begins.

This kind of composition bears the generic label ‘Classical’, but this is inaccurate, both in the significance of Classical Literature, which refers to Ancient Greece and Rome, and in the significance of Classical Music as a episode of musical history (see below).

Here are the minority quick view: ‘Classical Music’, in musicological provisions refers specifically to composition on paper roughly linking 1750 – 1820. It’s dominated by Sonata- and Ternary-form structures and adheres to a hierarchical vocal order proven as functional tonality. So, I say, don’t untidiness with it – it’s a sound, commonly expected label of reference. We know someplace we are with it; like comfy old slippers we give birth to grown-up accustomed to its feel — it fits. It ain’t broke, so don’t arrange it.

But, ‘Houston, we give birth to a problem’ – the label ‘Classical Music’ has been hijacked by indolent thinkers and good-for-nothing generalists to mean in the least form of composition someplace you might give birth to lone or more of the following:

A) a conductor

B) musicians appraisal from notated scores

C) musicians dressed as penguins

D) an absence of bare midriffs, thongs and lycra (and that’s only this minute the men!)e) singers singing lacking amplification, but mangling syllables and consonants into a ‘projected sound’, the volume of which would deposit in the least self-respecting Town Crier to disgrace. Come to think of it, they would produce a Jumbo jet a run pro its money in the decibel stakes.

So, composition on paper since 1820, even composition on paper remaining month, gets labelled ‘Classical’ if it meets the criteria traditional banned higher than.

Recently I’ve approach across various blogs and online articles discussing this publication, with more or less attention-grabbing suggestions pro alternatives. Let’s take a look by more or less of them:

Knack Music – Pleeeeease!!! Are you fatally suggesting with the aim of the Miles Davis / Gil Evans collaborations, or Charlie Parker’s pioneering attitude to harmony doesn’t amount to art? You can’t smash-and-grab a monopoly on the disguised worth associated with such a label lacking making by hand severely unpopular with musicians of other genres.

Serious Music – are you serious? Again, I know many Jazz musicians who are each crumb as serious with reference to their composition as in the least ‘Classical’ musician.

Notated Music – this is a no-go as well, for the reason that so many other forms of composition are notated, from Pop through to Jazz & Blues. You besides leave by hand inmate to the question ‘what is notation?’. Those who declare with the aim of notation doesn’t exist in Pop or stun composition are chatting rot – it’s alive and well and, with the advent of central processing unit notating software, more than continually obtainable to Popsters pro their horn and line arrangements.

Musical Instruments Of Colombia

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Everybody deeply appreciate the great treasure that is Colombian musical instruments, such as Colombian tiple, made in coral wood, with clear lines and awesome authentic color, with twelve metal strings arranged in four courses. Any professional or student guitarist will find it easy to use in Colombian folk music, and in many Latin American songs. Musicians can use it in Latin American folk jazz music, but also in original songs as well. Tiple’s ethereal and clear sound is also used in classic guitar music creations.

Colombian Cuatro is concert grade guitar; it is made of slices and blocks from curly maple. It has a violin shape and has a great pitch accuracy and finish. The ‘seis’ is a hybrid of the cuatro and a supplementary sixth course tunes a fourth below the usual fifth bottom course. It is also a very popular Colombian musical instrument. This feature allows an expanded bass range. It can be used also for guitar intervals as well, and it makes a awesome music, It sounds as a guitar, but sweeter, faster and louder.

Original Colombian music instruments
Spanish and African traditions are strongly represented in Colombian music. Traditional quena, a king of flute, and Spanish guitar are very popular. Colombian bandolina has fifteen strings and its sound is beautiful, sweet and clear. It is usually made by hand, of unexcelled quality. The marimba is another Colombian musical instrument; it looks like a xylophone and its keys are made in wood. The arpa is a local version of the harp, the guassa is a rattle. The songs from the Pacific coast are using drums and are tinged with Spanish influence. Due to the Spanish influence, piano music is also very popular in Colombia. The newest music style in Colombia is “valenato”, based on the European accordion.

Many Colombian musical instruments are beautifully crafted, from the ancient times until our century. The charango, a kind of guitar made in wood, the vessel whistle, the erkencho, a kind of clarinet, the chirimia, an oboe, are carefully made and original Colombian folk music sounds great with them. There are six ethnic zones in Colombia; the music is a hybrid between Indian roots and Spanish traditions. In some regions, there is also a strong Negro influence. Guitars, flutes and drums are always necessary; in the Caribbean zone the most important Colombian musical instrument is gaita, a kind of oboe. In Colombia, music is a tradition. There is a habit to pass folk songs from one generation to the other.